Fantasies and Reality: if I were God then every 10, 100 years, I would not spy, I would enter into agreements with my “partners”, I would lead them along such a path, where they would then disappear. My contracts and new relationships are “forever” only until the end of 10 years. One day they forgot, then others sowed, and in my sieve what they “donated” would settle, they refused, because I convinced them, and now they are “fools” with me. If I am in an equal conspiracy with him against the other, then they are afraid of the other, in other circumstances, but they listen to me, because “we are at the same time,” but in this way I only keep them from uniting and have a different agreement with their “partner,” etc. .d. So my “partner”, my friend he helps me not to participate in the war, but to lead both sides. Language is my friend. But what God this one?
“Knowing the Darkness within yourself is the best way to deal with the darkness in others.” Carl Gustav Jung
Martin Waldseemüller
In Akkadian documents of the 23rd century BC. e. (proleptic Julian calendar - the century from 2300 BC to 2201 BC) is mentioned as the supreme deity among the population of the right bank of the middle Euphrates.
The cult of Dagon was important in Babylon.
Βαβυλών بابل - gate of god.
Basarab the Old
Budapest was formed in 1873 through the administrative union of the cities of Buda and Pest. buda - “house, building, village” or “water” and pesht - “oven”, in the sense of “hearth, dwelling”
Visegrad Вышеград
Dracul, that is, "devil"(„Teufel“) or, by association, "dragon" was inherited by Vlad III from his father, Vlad II, who was a knight of the Order of the Dragon, created in 1408 by the King of Hungary, Holy Roman Emperor (Austria)
To announce the verdict (axe) to the boyars (Father and Son), Dracula first invited them to a feast. Romanian sources connect this feast with Easter
The desire to decorate one's face and everything that is available is the source of fine art. The need of primitive man to cover his face and all his household items with ornaments is the true root cause of the emergence of art, the first babble of the art of painting. The basis of this need is the erotic principle... But the man of our time, who from an internal impulse covers the walls with erotic symbols, is either a criminal or a degenerate... The culture of any country can be measured by the degree to which the walls of the restrooms are dotted in it... The evolution of culture is tantamount to removal ornament from consumer objects "Ornament and Crime" Ornament und Verbrechen, Austrian architect Adolf Loos (1870-1933).
"Unfortunately these “listeners to painting” — and tragically enough not only to painting — are still being educated in our schools both in art instruction and art history as well as in all other subjects. This education certainly no longer suffices the increased demands of the “examination” (better: the attitude toward) for instance transautomatic works. Capable is only the active, ethical, responsible, the creative observer, who distinguishes himself principally from the hitherto ordinary observer and for whom no new name has been forged yet, simply because he has not been acknowledged as necessary. However, for Klee, Dali, Mondrian, whom one is occasionally able to advance toward, the inherited passive examination still seems to suffice. But for how long? A great cataclysm, and not just in art education, is on its way." Hundertwasser