_edited.jpg)
Book and Babylon
Masons or builders
(architecture and history)
St. Augustine with heart on fire
λόγος - LOGOS - is teaching, science, as thought, as voice, word, understanding, law, meaning, concept, reason, number.
Jud.-Aram. מימרא [ˈmem(ə)reː] is a concept in ancient Greek philosophy, meaning both “word” (statement, speech) and “concept” (judgment, meaning).
Heraclitus, who used it in a philosophical sense and, in essence, identified it with fire as the basis of everything; according to Heraclitus, fire is the fundamental principle of the world (arche) and its main element or stocheion, called “logos” eternal and universal necessity.
By the 2nd century AD, the concept of LOGOS had firmly entered the sphere of Jewish and Christian teachings. The term LOGOS was reinterpreted as the word of a personal and living God (Lord) who "calls out" the word [Logos] to things and thereby calls them out of non-existence. For Philo of Alexandria, Logos is the image of God, a kind of “second God,” a mediator between the otherworldliness of God and the thisworldliness of the world.
wording
In Talmudic Judaism, logos corresponds to mémra מֵימְרָא / máamar מאמר - “Logos”, “Word” as the creative principle of the word of God. The concept of logos has firmly entered the categorical apparatus of philosophy of various directions and was used in various contexts, in particular, by Fichte, Hegel, Florensky, Ern, and Heidegger.
Alchemy: Church (Monarch) - Церковь (Царь) - W State - World domination, suggestion and “court intrigue” - Democracy and “Institutions”: treasury, education, culture, law, philosophy.
Let's remember, in the winter of 1637, “tulip fever” was rampant in Holland. The demand for tulip bulbs and their value was enormous. In 1554, the envoy of the Austrian emperor in Constantinople, Ogier Ghiselin de Busbeck, noticed beautiful flowers in the garden of the Turkish Sultan, which amazed him with their grace. In the same year, the envoy purchased a batch of bulbs with his own money and brought them to Vienna, where they were planted in the garden of Ferdinand I. Beautiful and rare, the tulip quickly became a new symbol of wealth, prosperity and belonging to a select society. Its bulbs become a precious and highly desired gift. They are incredibly expensive. In 1623, a Viceroy bulb costs 1,000 guilders. Is it a lot or a little? The average annual income of a Dutchman at that time was 150 guilders, and in order to buy just one onion he had to save for 7 or even 8 years. A ton of butter cost one hundred guilders, and three hundred pigs cost 300. But the record was broken by the Semper augustus variety. There is a record of a transaction that says that for one bulb of this variety they give 6 thousand guilders.
1930 Building spiral turbines
Curated by Amanda Uren
Крестьяне/ Peasants: Fresco in the House of the Vettii (Pompeii), depicting Priapus weighing his erect penis, placing a bag of gold on the second pan of the scales. Priapus - god of fertility. Falet - Φάλητος
GOLD & GOD: Image. Fath. Face. Logotip. Logos - Word. Золото. Благо. Богатство. Злато. Солнце. Sun. Son.
Faith & Filosofy. Ancient centuries and “our days”, the Medieval Church and “rules”, Law and Society.
German's & "Freedom of Will"
Natural philosophy naturalis > seeks the truth of things and finds it in the mental forms of things rationes formales; it finds them in matter, as reason in the seed rationes seminales or as natural forces virtutes naturales, in spirit - as rational foundations rationes intellectuales, in God - as ideal foundations rationes ideales. Accordingly, it is divided into physics, which considers things in their origin and destruction, mathematics, which explores abstract forms, and metaphysics, which considers existence in itself and reduces it to God, as its Author, final Goal and Prototype.
philosophia moralis - treats the truth of life or the correctness of the will; monastica - for the life of an individual, oeconomica - for family life, politica - for public life.
Moral philosophy : rectum - means partly agreement between the middle and the ends - rectum, cujus medium non exit ab extremis: the norm to which the one who directs himself according to it conforms - rectum quod dirigenti se conformatur upward directed - rectum, cujus summitas est sursum erecta.
Bonaventure finds an analogy with the Trinity of Scripture: the birth of formative thought, the law of its action and the desire for a satisfying final goal. definitions in which we can discern the harmonious nature of morality, the connecting and restraining nature of the moral law and its sublimity above the earthly.
Like juxtaposition of the three Secessions helps illustrate common goals and ambitions beyond specific local characteristics, all while shedding light on the phenomenon of secessions and their contribution to the development of art in Western Europe. Important in this respect – alongside new exhibition formats – were internationality and the promotion of the avant-garde in every form, which not least of all helped innovative currents such as Impressionism and Symbolism achieve a breakthrough in the German-speaking world.
Jan Brueghel the Younger c. 1640
"Any modern architecture in which the ruler or the compass has played a role for even a second - even if only in thought - must be rejected." "There are so many lines, but only one of them is fatal, and that is the straight line drawn with the ruler." "The straight line leads to destruction" Friedensreich Hundertwasser
Loos House - Looshaus or “House without Eyebrows” - Haus ohne Augenbrauen. Office building in the style of Viennese modernism, located on Michaelerplatz in the Inner City district of Vienna, by Adolf Loos.
Wiener Moderne
The building marks the rejection of historicism, as well as the ornaments used by the Wiener Secession. its appearance shocked Vienna's citizens, since their overall taste was still very much historically oriented. Because of the lack of ornaments on the facade, people called it the 'house without eyebrows'. In 1909, the owners of Goldman & Salatsch, Leopold Goldman and Emanuel Aufricht, arranged an architecture competition, but broke it off to award the commission to Adolf Loos who refused to take part in it.
The Tuscan columns on the street level - intended as an allusion to the portico of St. Michael's Church. Instead of ornaments, there are flower boxes in front of the windows of the upper floors - according to a legend, the shape of these boxes are memories of the archduke's hat and allusion to the Imperial Palace.
Afterlife. After its completion, the house met with considerable controversy in the town still dominated by historicist flavor. It was called by the Viennese house without eyebrows, since the usual time window roofing were missing entirely. People said that Emperor Franz Joseph had not only avoided the house the rest of his life, he even did not use the exit to Michael's square, and also hided the windows of the Imperial Palace not to see the "ugly" house.
Design Zone Looshaus
Since 2002, a cultural organisation moved into the basement of the building, the "Design Zone Loos Haus" by Paolo Piva. Here international exhibitions and events are held to raise awareness of the importance of Austrian design as a stimulus for the economy.
Russian Empire, International and Art Properties
Austriae est imperare orbi universo -
Austria is destined to rule the world
or
Am End’ is’ ollas umasunst - In the end, everything is for nothing / In the end, all efforts will be in vain.
Monogramm Friedrichs des III
Epoch and worldview. People and their price, the price of life and position in society. self-awareness. Society is the environment in which a person lives and who is considered a person in society. Marchy and the Papal throne. The IWW and industrialization. Today everything seems forgotten, but then everything was mixed up, like consciousness. But the theme of financial bubbles, tulip onion, capitalism and monarchy still exist, but “democracy” the will of the people is separated in practice from the benefits of key decisions. Excessive art and poor tone, what does religion have to do with it? Let's go to democracy and Ancient Greece. Today I present to us the Myths (stories "images" or simply films) of Ancient Greece as paganism. Today, in the XXI century, Psychology is occultism and ignorance, are you're stupid? Although this is not a question, this is one's faith this silly. But the confusion of thoughts and distortion is the medieval peasantry [christianity] and not the ancient culture, as you understand today the vital democratic benefits >
А. Е. I. О. U.
Worldview: Reason and Feelings
Sophisticated grace in the spirit of a hypersensitive male image, which, due to its carnal design, sighs for accompaniment in its instinctive vector of masculine nature to another individual, while a woman by nature is domineering, since she does not have great physical strength, she is “programmed” by nature to take care of her child. So the mannerism is executed in the lace of buildings and impersonally masculine and even perverted architecture, due to its destructive nature and desire to satisfy the animal instinct even in the ass of a ram if there are no other possibilities. Moreover, a woman is obsessed with the desire for sex, her nature, as she grows up, points her to love for a man, seeing in him what is most necessary, less so for a mother.
New society - new consciousness. 1900s
Logic gives rise to insight. An ordinary person desires to taste life and uses work to realize its life. At any moment in time, these ununited people “blooming” in the same territory, under the same flag, having the same speech, can create together with those who share with them the “taste for life” to transform it too, instead of searching for its possibility (which is only in work, knowledge).
"With the most primitive means the artist creates something which the most indigenous and efficient technology will never be able to create" Kazimir Malevich
"Strings of the soul", vibrations, music, Architecture, organ. How do our feelings and faith interact with the soul and who is the soul in this Space?
Yoko Ono when she was a pioneering conceptual artist in 1960s London. Almost seven decades of art and the famous Cut Piece, in which visitors were asked to cut off pieces of her clothing, with shocking consequences, and her banned film No. 4, where naked buttocks were tied together like signatures on a petition for world peace.
Yoko Ono in her Half-a-Room, 1967
Logos and History combinations
Gott ist Tot, appeared in the book Die fröhliche Wissenschaft “The Gay Science” written in 1881-1882.
God is dead: but such is the nature of people that for thousands of years there may still exist caves in which his shadow is shown. - And we - we must also defeat his shadow!
“God is dead”—the oblivion of precisely this formula was revealed by postmodernists. The “new” here is precisely that people forgot not only about God, but also about his death, that proposals for possible answers overshadowed the question itself, and the passionate process of overcoming the tragedy made them forget what it was.. A. G. Dugina in the newspaper “New Look” (1993)
Already in the philosophy of postmodernism, there is a rapprochement not with science, but with art. Thus, philosophical thought finds itself not only in a zone of marginality in relation to classical science, but also in a state of individualistic chaos of concepts, approaches, types of reflection, which is also observed in the artistic culture of the late 20th century. In philosophy, as well as in culture as a whole, mechanisms of deconstruction operate, leading to the disintegration of philosophical systematicity, philosophical concepts are moving closer to “literary discussions” and “linguistic games,” and “lax thinking” prevails. The positive aspect of postmodernism is that the fundamental openness to dialogue between postmodern philosophy and science contributes to the formation of new sciences and scientific directions that synthesize and unite previously completely unrelated fields of knowledge, such as: quantum mechanics, K. Gödel’s theorems, cosmology, synergetics , ecology, global studies.
Further, the source of the process of transforming a symbol into an independent object, from Baudrillard’s point of view, is the tradition of subject-object dichotomy inherent in the origins of Western culture, which reaches its maximum in modern culture when the subject loses control over the object in the form of computer technologies creating virtual reality, which itself begins to dictate to the subject the parameters of his existence.
Thoth in Ancient Egypt -Toт was an authority in the struggle between Horus and Set for the succession of Osiris. He was the god of the moon, drawing, writing, geometry, wisdom, medicine, music, astronomy and magic. He was the patron of scribes as the creator of writing. According to one theory, he created the world with the help of words. He was also very attached to the goddess Maat as the representative of truth and justice. Thoth was also the god of laws. As a lawyer, overseer and protector of the dead, he participated in the weighing of the soul during the trial, the trial that the deceased was subjected to in order to find out whether or not he was worthy of entering the heaven of the afterlife. The priests of Thoth said of him that he created everything from sound and that through hieroglyphs he also controlled magic and wizards, the "gatherer of years" and the "lord of time" >>> What else we hear ? Tao is the natural way of the universe, meanings including 'way', 'path', 'road', and sometimes 'doctrine' or 'principle'.
The name that can be named is not a permanent name.
Thou was previously a second person singular pronoun in English - "you". the form thou was preserved in religious texts to address the "Lord".