"With the most primitive means the artist creates something which the most indigenous and efficient technology will never be able to create" Kazimir Malevich
The Creator of Life is a spiritually strengthened person who is aware of the time between the past and the future, understanding themself as a step for another into the future and therefore they, both the past and the future, exists for today, therefore the way Flourishes favors them when there Community for activity, serve to them, just as Them serve to there Community. That is why the presence of a Community and the meaning of a Nation must be reconsidered once again and for sure, for a sustainable understanding that the “standard of living” is perhaps somewhere an illusion, while a Community (society) that was created to provide the benefit of each other exists precisely behind this and because its well-being is protected only by itself, and its prosperity is both its logical goal and the object of one else’s dissatisfaction, just in case.
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Light and Enlightenment “every good gift and every perfect gift comes from above from the Father of Lights” (James I, 17)
Many lights, light sources and ways of enlightenment
The desire to decorate one's face and everything that is available is the source of fine art. The need of primitive man to cover his face and all his household items with ornaments is the true root cause of the emergence of art, the first babble of the art of painting. The basis of this need is the erotic principle... But the man of our time, who from an internal impulse covers the walls with erotic symbols, is either a criminal or a degenerate... The culture of any country can be measured by the degree to which the walls of the restrooms are dotted in it... The evolution of culture is tantamount to removal ornament from consumer objects "Ornament and Crime" Ornament und Verbrechen, Austrian architect Adolf Loos (1870-1933).
"Ornament and Education" Adolf Loos: "It is simply uncultured to throw art into consumer goods".
"Unfortunately these “listeners to painting” — and tragically enough not only to painting — are still being educated in our schools both in art instruction and art history as well as in all other subjects. This education certainly no longer suffices the increased demands of the “examination” (better: the attitude toward) for instance transautomatic works. Capable is only the active, ethical, responsible, the creative observer, who distinguishes himself principally from the hitherto ordinary observer and for whom no new name has been forged yet, simply because he has not been acknowledged as necessary. However, for Klee, Dali, Mondrian, whom one is occasionally able to advance toward, the inherited passive examination still seems to suffice. But for how long? A great cataclysm, and not just in art education, is on its way." Hundertwasser
A two-dimensional system, a polar coordinate system in which each point on the plane is defined by two numbers - a polar angle and a polar radius.
In a Cartesian (René Descartes), or rectangular, coordinate system, such relationships can only be established by applying trigonometric equations.
The main merit of Hipparchus is considered to be that he introduced the predictive accuracy of the astronomy of Ancient Babylon into the Greek geometric models of the movement of celestial bodies. Known as the probable "father of trigonometry". From the works of Hipparchus, only one thing has reached us - “Περὶ τῶν Ἀράτου καὶ Εὐδόξου φαινομένων”. The most important achievement of Hipparchus is considered to be the discovery of the anticipation of the equinoxes, or astronomical precession. He made a significant contribution to improving the calendar. He determined the length of the tropical year 365+
Archimedes in his work “Spirals” describes the so-called Archimedes spiral, a function whose radius depends on the angle.
In the 9th century, the Persian mathematician Khabbash al-Khasib (al-Marwazi) used the methods of map projections and spherical trigonometry to transform polar coordinates into another coordinate system centered on some point on the sphere, in this case, to determine the Qibla - the direction of Mecca. Seneca reports that Conon “collected references to solar eclipses preserved by the Egyptians.” This information was not preserved either in the ancient Egyptian or ancient traditions.
In Method of Fluxions, written in 1671, published in 1736, Sir Isaac Newton explored the transformation between polar coordinates, which he designated as "Seventh Manner; For Spirals" and nine other coordinate systems.
Rose / Rhodonea curve - This curve was first mentioned by the Florentine monk Guido Grandi in two letters to Leibniz in December 1713 and called it “rose-shaped”, “rhodonea”, ῥόδον. The Dürer folium.
The Arecibo Message radio signal was sent on November 16, 1974 from the Arecibo Observatory. Supposedly in the direction of the globular star cluster M13, located 25,000 light years away in the constellation Hercules. It was explained to witnesses that since it would take 25,000 years for the message to be delivered, and another 25,000 years for any response, the Arecibo message was more a demonstration of humanity's capabilities than an actual attempt at contact. 12 years before the Arecibo message, the radio signal “Peace”, “Lenin”, “USSR” «Мир», «Ленин», «СССР» was sent to Venus in the USSR.
Atom, Raum und Gott: „Lennon lebte, Lennon lebte, Lennon wird leben …“ Marxismus und das Universum
The first in the history of mankind, officially known, meaningful radiotelegraph message, purposefully transmitted into space on November 19 “Mir” and November 24 “Lenin” and “USSR” 1962 from the Evpatoria (Crimea) Center for Long-Range Space Communications.
Also the Arecibo radio telescope collapses: it was immortalized in many films, from The X-Files to 007 Contact, Species, The X-Files but also James Bond. These are some of the films in which he was also among the protagonists: Arecibo, one of the largest radio telescopes on the planet. But now the curtain has fallen on his giant "frying pan" (it had a diameter of over three hundred meters): the heart of the receiver suspended through the cables of the three giant towers has collapsed, putting the receiver, which for years has been the flagship of the company, out of use forever. radio astronomy. 900 ton instrumental platform suspended in the air in front of us, 150 meters high, anchored with 18 steel cables to the three 100 meter high pylons placed around the Observatory. It was this aerial platform that collected the radio waves coming from the cosmos and reflected by the antenna below.
In fact, to keep it alive, about 12 million dollars had to be paid out every year.
The downward trajectory began last January when a 5.8 magnitude earthquake struck Puerto Rico, the nation that hosts the structure, causing a series of damages to the structure. Then in mid-August another blow with the breakage of one of the auxiliary cables that supported the so-called sub-reflector. Another black episode in November with the failure of one of the three main cables and now, a few days ago, on December 1st, the collapse of the receiver on the gigantic dish of the radio telescope which decreed the premature death of the scientific installation built in the 1960s.
Until 2016 it had been the king of radio telescopes, but its reign had been overshadowed by the entry into service of another giant, the Five hundred meter Aperture Spherical Telescopeast (Fast), a monster 500 meters in diameter positioned in the concavity of a natural reservoir in Pingtang County, Guizhou Province, China.
The radio telescope was immortalized in various films and TV series. We must remember GoldenEye (1995), Contact (1997), Mortal Species (1995), Encuentros (2003) without forgetting the X-Files episode.
